English
In my view, the reasons of art and the situation regarding the possibilities of transmission are the two main components with which to ask the question of transmission in art. The various expert discourses create a predetermined effect which devalues the very dimensions I wish to affirm: an emotional and nondescript character which do not belong to the artwork’s spectacular function, so that the various forms of reciprocity or commonality can no longer be understood according to a hypothetical “public space.”